Since its founding in 1999, Typotheque has been stirring up the international typography scene: with its fonts, the type foundry not only gives form to language but often also pushes the boundaries of technology. Countless international awards have honoured this commitment, as has the Kunstmuseum (Art Museum) in The Hague, which in 2019 dedicated its only typography exhibition to date to Typotheque’s work. And when the founder and creative director Peter Biľak was labelled a “game changer” by the architecture magazine Metropolis for his contribution to non-Latin typography, it implied that the creative mind thinks far beyond pure typographic craft.
Red Dot about Typotheque
As a designer, I am always interested in bringing about positive change.
Peter Biľak, Typotheque
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November
A total of 27 font systems were created over a period of eight years in cooperation with 60 designers from around the world. These systems cover hundreds of languages and over 90 per cent of the earth's population. As the world's first global font, "November" serves almost all modern languages and can be used across different cultures.